All is Falling was the first solo show of the work of Bas Jan Ader (1942-75) to be shown in a UK public gallery.
Themes of loss, longing and heroic failure are never far from the surface. In one of his best-known works, the 16mm. film with accompanying postcard I’m too sad to tell you (1970-71), he filmed himself weeping in a deliberately ambiguous gesture, the reason for his sadness – indeed its very authenticity – remaining open to question.
The fall is a recurring motif in the exhibition, explored in a number of films and performances in which the action of gravity on both inanimate objects and the artist’s own body are depicted. Referencing the short films Fall I and Fall II (1970) Ader said, “I do not make body sculpture, body art or body works. When I fell off the roof of my house or into a canal, it was because gravity made itself master over me.”
An experienced sailor, the ocean held a particular fascination for Ader. At the time of his disappearance at sea whilst attempting a solo voyage across the Atlantic as part of his unfinished trilogy In Search of the Miraculous, Ader left a unique body of work comprising actions documented in photographs, short films and video. This exhibition presents a survey of his modest but influential oeuvre and is an opportunity to consider his continuing relevance to contemporary artists.
The catalogue raisonneé of the artist was published by the Boijmans Museum, including texts by Erik Beenker; Tacita Dean; Elbrig de Groot and Joerg Heiser. The catalogue accompanying a major show at the Stedeljk Museum, Amsterdam (1988) was also reprinted specially for the exhibition.