Call and Response - Camden Art Centre

Camden Art Centre was the first UK public gallery to exhibit the work of celebrated American artist Glenn Ligon.

One of America’s most distinguished contemporary artists, Ligon (b.1960) has been deeply engaged with the written word throughout his career. Drawing attention to the problems of language and representation, he addresses pressing and challenging topics of race, language and sexuality. His works reconsider and re-present American history, especially narratives of slavery and civil rights, within a contemporary context. Best known for his stencilled text based paintings, he weaves together wide-ranging influences from literature, visual arts and popular culture. Over the past 10 years, Ligon has also been dedicated to interrogating these themes through his prolific and astute writing and interviews.

For his exhibition at Camden Arts Centre, Ligon presented a new series of large paintings based on the 1966 seminal taped-speech work, Come Out, by Minimalist composer Steve Reich. Come Out is drawn from the testimony of six black youths arrested for committing a murder during the Harlem Race Riot of 1964. Known as the ‘Harlem Six’, the case galvanised civil rights activists for a generation, bringing to attention police brutality against black citizens. Echoing Reich’s overlapping repetition of words and phrases, Ligon’s silkscreen paintings overlay the words to create slowly shifting and rhythmic effects.

Ligon created a new neon work, which draws on the words of Daniel Hamm, one of the ‘Harlem Six’, describing the police beatings. Neon letters, suspended for visitors to walk amongst, blink on and off in a cycle reflecting Reich’s work. Ligon’s neon works continue his interest in pushing text and speech to the point of abstraction. As with his paintings, they encourage the viewer to oscillate between reading and looking.

A new multi-screen video work uses footage of comedian Richard Pryor’s 1982 stand-up performance, Live on Sunset Strip. Ligon reorganised and refilmed the recorded material to emphasise Pryor’s emphatic body language, movement and expressions, removing articulated words to focus on body language and the performative delivery of speech.

Images Related Events The Artist

Make & Do

12 Oct (2014) – 11 Jan (2015) 
Every Sunday throughout the Glenn Ligon exhibition, families with children dropped in to the Drawing Studio for free creative activities based around the work in the galleries. Led by artist Evan Ifekoya, the activities were fun and suitable for all ages.

Reading group led by artist Christian Nyampeta

Wednesday 22 October (2014)
Artist Christian Nyampeta led a reading group exploring themes prevalent in Glenn Ligon’s work.  The first session looked at Fred Moten’s essay Black Mo’nin’ in the Sound of the Photograph:

Moten, Fred. “Black Mo’nin’ in the Sound of the Photography.” In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: U of Minnesota, 2003. N. pag. Print. (pg. 205 – 224 at this link)

Wednesday 19 November (2014)
This second session with Artist Christian Nyampeta focused on Rey Chow’s essay Where Have All the Natives Gone? and also recapped on some of the discussions from the first session around Fred Moten essay Black Mo’nin’ in the Sound of the Photograph.

Texts

Chow, Rey. “Where Have All the Natives Gone.” Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington: Indiana UP, 1993. N. pag. Print. (pg. 27 – 54 at this link)
Moten, Fred. “Black Mo’nin’ in the Sound of the Photography.” In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: U of Minnesota, 2003. N. pag. Print. (pg. 205 – 224 at this link)

The reading groups were programmed alongside Glenn Ligon’s exhibition Call and Response. Participants were encouraged to read the texts ahead of the session, and attend as many of the sessions that they can.

Christian Nyampeta is a London based artist.  Exhibitions include How to Live Together: Prototypes, The Showroom, London (2014) and How to Live Together, Casco and Stroom Den Haag, Netherlands (2013-14).  He is an MPhil/PhD candidate at the Visual Cultures Department of Goldsmiths, University of London.

Exhibition Talk: Lynette Yiadom-Boakye

Sunday 2 November (2014)
Artist Lynette Yiadom-Boakye led a gallery tour of Glenn Ligon’s exhibition Call and Response.

Lynette Yiadom-Boakye (b.1977) lives and works in London and was nominated for the Turner Prize in 2013.  Recent solo and group exhibition include: Lynette Yiadom-Boakye, Jack Shainman Gallery, New York (2014); MIRROR CITY: London artists on fiction and reality, Hayward Gallery, London (2014); Verses, Pinchuk Art Centre, Kiev (2013); The Love Without, Corvi-Mora, London (2013); Salt 7: Lynette Yiadom-Boakye, Utah Museum of Fine Art, Utah (2013); The Turner Prize, Ebrington, Derry (2013);  Cinematic Visions: Painting at the Edge of Reality, Victoria Miro, London (2013), Extracts and Verses, Chisenhale Gallery, London (2012).

The Artist

Glenn Ligon (b. 1960) lives and works in New York, USA. Ligon received a BA from Wesleyan University in 1982, and attended the Whitney Museum Independent Study Program in 1985. A mid-career retrospective of Ligon’s work, Glenn Ligon: AMERICA ran at the Whitney Museum of American Art in 2011 and toured to the Los Angeles County Museum of Art, and to the Modern Art Museum of Fort Worth. Ligon has been thesubject of solo museum exhibitions at the Power Plant, Toronto; Walker Art Center, Minneapolis; the Studio Museum in Harlem; Institute of Contemporary Art, Philadelphia and Kunstverein Munich. His work was included in Documenta XI in 2002, and the 1991 and 1993 Whitney Biennials.