Christopher Wool - Camden Art Centre

In his first exhibition in a London public gallery, eminent and highly influential New York-based artist Christopher Wool showed seventeen new large-scale paintings.

The instinct to read abstract works in figurative terms is challenged by Wool’s many-layered paintings. Materials and processes such as spray paint and screen print are painstakingly built up and then partly removed. The resulting marks resist interpretation, liberating the viewer to become fully absorbed in the intricacies of the paintings.

From the late 1980s to the early 1990s, Wool’s paintings utilised large black stencilled or sprayed letters on white panels. At the same time, he also developed pattern works, introducing repeat foliage forms using rubber rollers, making patterns similar to textiles or wallpaper covering.

The paintings developed from both these styles share the gritty, urban feel of the earlier works.

 

Images The Artist

The Artist

Christopher Wool (b. 1955) is one of the most important and influential American artists of his generation. His practice incorporates photography, screen-printing, spray painting as well as more direct brushwork. He lives and works in New York City. Since the mid-80s he has had numerous solo exhibitions in the USA and Europe, showing regularly with Luhring Augustine Gallery, New York. He has also shown frequently with Galerie Gisela Capitain, Cologne and Galerie Max Hetzler, Berlin and Cologne. In 1991 he had a major one-person exhibition at the Museum Boymans van Beuningen, Rotterdam which toured to the Kunsthalle Bern and the Kölnischer Kunstverein, Cologne. Subsequent solo museum shows have taken place at MoCA, Los Angeles (touring to the Carnegie Museum of Art, Pittsburgh and Kunsthalle Basel) in 1998; at the Centre d’Art Contemporain Genève in 1999 and at Le Consortium, Dijon, a show which travelled to Contemporary Arts, Dundee in 2002 — surprisingly his first solo show in the UK.

In 1988 he showed with Robert Gober at 303 Gallery, New York and his work was included in The Bi-national: American Art of the Late 80s at the ICA and Museum of Fine Arts, Boston, which travelled to Dusseldorf, Bremen and Minneapolis. Subsequently, he has been represented in many group exhibitions, notably in the Whitney Biennial, New York (1989); the Carnegie International 1991, Pittsburgh; Documenta IX, Kassel (1993) and in overviews of 20th century American art at the Kunsthaus Zurich (1997) and at the Whitney (1999 and 2002). Last year, his work was included in the 7th Lyon Biennale of Contemporary Art.