The Jamaica Project - Camden Art Centre

Move through a deep and expansive exploration of identity and place.

This exhibition of London-based composer, artist and DJ Ain Bailey presents her ongoing trilogy of films and compositions rooted in her biography and relationship to Jamaica.

For over 15 years, Bailey has worked at the forefront of sonic exploration. Using sound in all its forms, Bailey opens up spaces of grief, loss, resistance and remembering – creating active and radical new models of community, co-production and connection.

Recorded during the artist’s first visit to Jamaica in 2025, in the exhibition’s newly commissioned work, 5C Jacques Road: Part One (2026), viewers travel with Bailey on her journey across the island towards the place where her mother’s family once lived. Unfolding in three parts, the footage, shot on an iPhone, is accompanied by a new composition featuring field recordings collected along the way.

The adjoining spaces of the exhibition play host to the two earlier works in the trilogy. Themes of family, history and connection also run through the second instalment, Untitled: Our Wedding (2022); a tender film of lingering shots of the photo album of Bailey’s parents’ wedding. These images are intertwined with lines of poetry by Remi Graves and a score by Bailey that re-versions the famous chord sequence from Richard Wagner’s 1850 work ‘Bridal Chorus’.

Version (2021), the trilogy’s first work, is comprised of compositions and recordings in which the artist reflects on her heritage through music and food – with each part accompanied by a text written by Taylor Le Melle. Above the screens hang 64 sculptures of Jamaica’s national fruit, the ackee –representing the years since Jamaica gained independence in 1962.

Ain Bailey and Camden Art Centre were shortlisted for the Freelands Award 2023.

Work durations

5C Jacques Road: Part One, 2026. 28 min 26 sec
Untitled (Our Wedding), 2022. 30 min
Version, 2021: Dub 40 min; Linstead Market 5 min 2 sec; Ackee 21 min 56 sec

Lead image: Still from 5C Jacques Road: Part One, 2026. Courtesy of the artist.

Exhibition Introductions

Most Saturdays & Sundays, 3pm.

Most weekends, our volunteers deliver a free introduction our exhibitions visitors at 3pm. This is a chance to hear different entry points into our current exhibitions, reflecting the passions, interests and perspectives of our volunteer gallery assistants.

Free. No booking required. Meet by the entrance to the galleries on the first floor. Please note that on occasion, an introduction may not go ahead due to an unforeseen absence. Please phone or speak to our front desk on the day if you would like more information.

Relaxed viewing sessions

Thu 30 April and Sat 30 May 2026, 10.00–11.00.
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Images

'Bailey's soundtrack is hypnotic' The Wire, June 2026

The Artist

Ain Bailey (b. 1963, London) is a composer, artist and DJ. She facilitates workshops considering the role of sound in the formation of identity, and the exploration of memory and sound. In 2020 Bailey and Ego Ahaiwe Sowinski created a composition and print entitled Remember To Exhale for Studio Voltaire, London. Previous exhibitions include And We’ll Always Be A Disco In The Glow Of Love, Cubitt Gallery, London (2019); Version, Wysing Arts Centre, Cambridge (2021); Atlantic Railton which was part of the Listening To The City sound installation programme in the 2021 Serpentine Pavilion; Untitled: Our Wedding for the Black Melancholia exhibition at CCS Bard (2022), New York, USA and Trioesque for Bruckenmusik 27 in Cologne, Germany (2022). Bailey’s most recent commission was for FACT Liverpool’s Resolution research project, for which she created the installation Four (2024). She was the 2022-23 Cavendish Arts Science Fellow at Girton College, University of Cambridge. Forthcoming in June 2026 is an audio work commission by Art On The Underground for Waterloo Station.