This exhibition was centered around Jo Baer's most recent series of paintings, In the Land of the Giants.
This series, developed since 2009, reflected on her life-long interest in history and science. Inspired by Palaeolithic cave paintings, Baer saw in these ancient marks, with their instilled meaning, a midway between abstraction and figuration. Depicting esoteric and evocative imagery from her years living in the remote countryside of County Louth (Ireland), springs, stone alignments and phases of the moon are montaged against a backdrop of vast rolling green landscapes. The works traced her fascination in Neolithic innovation, eschatology and the sublime, whilst mapping convergences between humans and nature, and timelines of thought and memory.
Amsterdam based, American artist Jo Baer is considered one of the key figures in the Minimalist art movement in New York during the 1960s and early 1970s. Her paintings were characterised by precise composition of line and space and her distinctive use of the peripheries of the canvases. Baer describes her early ambition as to make “poetic objects that would be discrete yet coherent, legible yet dense, subtle yet clear.” In 1983, she dramatically announced ‘I am no longer an abstract artist’, turning towards figuration and symbolic imagery, fragmenting familiar images in order to render them discomforting.
This exhibition draws a lineage from her earlier minimalist works, through her experiments with the figurative in the 1990s, through to her current emboldened aesthetic. It brings attention to her continued consideration of composition as a means of stimulating an active way of looking, drawing the gaze back and forth across compositions and the canvas as a delineation of time.
